Jumat, 02 April 2010

Free PDF Letters to My Palestinian Neighbor, by Yossi Klein Halevi

Free PDF Letters to My Palestinian Neighbor, by Yossi Klein Halevi

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Letters to My Palestinian Neighbor, by Yossi Klein Halevi

Letters to My Palestinian Neighbor, by Yossi Klein Halevi


Letters to My Palestinian Neighbor, by Yossi Klein Halevi


Free PDF Letters to My Palestinian Neighbor, by Yossi Klein Halevi

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Letters to My Palestinian Neighbor, by Yossi Klein Halevi

Review

“The tantalizing proposition of Halevi’s book, never belabored but always peeking from between the lines, is that faith might unite these two warring tribes whereas reason only fanned the flames of discord.” (Tablet Magazine)“By providing an honest, soulful and balanced recap of two emotional narratives, Letters to My Palestinian Neighbor has given us a spiritual roadmap, if not to peace, then at least to hope.” (Jewish Journal)“A clarion call, not to arms but to empathy…a profound and original book, the work of a gifted thinker…[an] urgent and heartfelt message.” (Daphne Merkin, Wall Street Journal)“One of the best one-volume introductions to the conflict between Israel and the Palestinians.” (Jeffrey Goldberg, The Atlantic)“Refreshingly honest...In explaining Israel to the Palestinians, [Halevi] appeals to a certain ideal, a higher ambition, a sense of wonder and beauty.” (The Forward)“I was enlightened by the extraordinary insights that filled page after page, often on topics I thought I knew quite well. I was also moved by the haunting beauty of the superbly crafted language, by the many passages that speak to my deepest yearnings, and especially by coming to know better the extraordinary soul of the author.” (Mosaic)“Eloquent and important.” (Jewish Boston)“Yossi Klein Halevi wants to extend an olive branch to his Palestinian neighbors, and does so, in his incredibly compelling and heartfelt book Letters to My Palestinian Neighbor.” (Jerusalem Post)“A powerful, challenging, and deeply moving plea for human understanding across one of the most tragic divides in modern politics.” (Rabbi Lord Jonathan Sacks )“Letters to My Palestinian Neighbor conveys the urgency and poetry of the Israeli story in a way that is accessible to any reader. I hope everyone will read these beautiful letters—Palestinians and Jews and anyone else interested in understanding who the Jews are and why we returned home.” (Natan Sharansky, Chairman of the Executive, Jewish Agency for Israel)

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From the Back Cover

Given our circumstances, “neighbor” may be too casual a word to describe our relationship. We are intruders into each other’s dreams, violators of each other’s sense of home. We are living incarnations of each other’s worst historical nightmares. Neighbors?Lyrical and evocative, Letters to My Palestinian Neighbor is one Israeli’s powerful attempt to reach beyond the wall that separates Israelis and Palestinians. In a series of letters, Yossi Klein Halevi explains what motivated him to leave his native New York in his twenties and move to Israel to participate in the drama of the renewal of a Jewish homeland and help ensure that it succeeds as a morally responsible, democratic state in the Middle East.In this taut and provocative book, Halevi endeavors to untangle the ideological and emotional knot that has defined the conflict for nearly a century. Using history and personal experience as his guides, he unravels the complex strands of faith, pride, anger, and anguish he feels as a Jew living in Israel.Halevi’s letters speak not only to his anonymous Palestinian neighbor but to all concerned global citizens, helping us understand the painful choices confronting Israelis and Palestinians that will ultimately help determine the fate of the region.

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Product details

Hardcover: 224 pages

Publisher: Harper; 1st edition (May 15, 2018)

Language: English

ISBN-10: 0062844911

ISBN-13: 978-0062844910

Product Dimensions:

5 x 0.8 x 7.5 inches

Shipping Weight: 10.4 ounces (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

66 customer reviews

Amazon Best Sellers Rank:

#18,060 in Books (See Top 100 in Books)

Yossi Klein Halevi’s new book is ostensibly addressed to a Palestinian reader. To that end, in an opening Note, the author mentions that the book is being made available in Arabic translation for free downloading. Moreover, he invites Palestinians, and others from the Arab and Muslim worlds, to write to him “in response to any issue raised in this book. I will try to respond to every letter, no matter how challenging, that is written in a spirit of engagement. My intention is to initiate a public conversation on our shared future in the Middle East.”Who knows, yet, where that invitation will lead? Who knows how many Palestinian neighbors the author will reach? I can’t help thinking that there is an expanded audience for this book, and that audience includes anyone who really wishes to try to understand “the Jewish story and the significance of Israel in Jewish identity”—while remaining open to and aware of the “neighbor’s” narrative and beliefs.In a recent interview with The Times of Israel, the author explained:"This book isn’t about optimism or pessimism but an attempt to explain the Jewish and Israeli story to our neighbors – why the Jewish people never gave up its claim to this land even from afar, why I left my home in New York City in 1982 to move here. In my previous book [At the Entrance to the Garden of Eden: A Jew’s Search for Hope with Christians and Muslims in the Holy Land], I tried to listen to my neighbors. In this book I’m asking my neighbors to listen to me.In all these years of conflict, no Israeli writer has written directly to our Palestinian neighbors, and to the Arab and Muslim worlds generally, explaining who we are and why we’re here. We defend our story to the whole world, but we don’t bother explaining ourselves to our neighbors. We’re rightly outraged by the daily attacks on our history and legitimacy that fill the Palestinian media and the Arab world’s media. But we’ve never tried to tell them our story.This book combines the two commitments of my life: explaining and defending the Jewish narrative, and seeking partners in the Muslim world. The Jewish people is divided into two camps. One is defending the Israeli narrative, the other is fighting for peace. The argument of this book is that the two are related: Peace won’t happen so long as our narrative is negated by the other side. You can’t make peace with a country that has no right to exist."Well, *he* may not think the book is about optimism or pessimism. But in its efforts to articulate and communicate history and belief and suggest some actual strategies for the future—strategies that require choice, compromise, and change for everyone involved—Letters to My Palestinian Neighbor offers a model for future discourse. And that’s enough to make me optimistic.May this new book reach many, many readers. Among the author’s Palestinian neighbors, yes. But also among Jews around the world.And, ideally, among journalists, activists, and others who could also benefit from a more complete and nuanced awareness of “the Jewish and Israeli story,” too.

Being eternally troubled, I naively bought this wonderful book looking for answers and expecting solutions. What I read was an honest, kind, and evolved approach to the Israel-Palestine conflict that provided an intellectual and emotional framework for moving forward. That path is challenging: @YossiKleinHalevi points out that it requires us to “recognize not only each other’s right to self-determination but also each side’s right to self-definition,” a basic but often ignored step that is necessary (though not sufficient) towards achieving the trust required to initiate a productive peace process. A few thoughts:1. Though written as a kind letter to help his Palestinian neighbor understand him/us, the case it lays out for the attachment of Jews (as a religion and a people) to Israel is equally important for Diaspora Jews to read, since many of us could not cogently state the case for Israel with any depth or insight beyond what we learned in Sunday School, maybe with a little Holocaust and Torah thrown in. Halevi fleshes out that case in the context of our emotions, our shared historical traumas, our hopes, and most importantly, our religious obligations as Jews including our relationship with G-d, the spiritual aspect of Jewish peoplehood, and our unique (not better or worse) spiritual role in the world, as he says “We are a particular people with a universal goal.” Unfortunately, many of us frame the Israel-Palestine conflict in simple terms like “fairness” and “compromise” that infantilize those living in this complex religious, political, ethnic, economic, and historical conflict as well as those of us who care so deeply about it. This conflict is much more than any playing in the sandbox analogy can do justice. (NB: I am undecided about if these letters have a role for Israeli Jews … a good discussion)2. Halevi rightfully dismisses the idea that winning an argument or court case against the narrative of either side could be a successful path forward. Each side’s narrative is “so deeply rooted in our being, so defining of our collective and personal existence that forfeiting our respective narratives would be a betrayal.” Instead, Halevi writes, “we need to challenge the stories we tell about each other, which have taken hold in our societies. We have imposed our worst historical nightmares on the other. To you we are colonialists, Crusaders. And to us you are the latest genocidal enemy seeking to destroy the Jewish people. Can we, instead, see each other as two traumatized peoples, each clinging to the same sliver of land between the Jordan River and the Mediterranean Sea, neither of whom will find peace or justice until we make our peace with the other’s claim to justice?”3. Halevei reminds us “Occupation penetrates the soul.” He says of his time in the IDF, “When I first got to Gaza the army slang offended me…After a few weeks, I, too, adopted the slang mocking Gaza’s misery.” This speaks not to who is right or wrong nor who is more to blame, but to the moral injury of the occupier. There Halevi also learned of the Palestinian dream not only to be free of Israeli occupation, but also “to be free of Israel’s existence entirely” where the “graffiti promised death to Jews” as he “veered between moral and existential fears,” both reasonable and essential Jewish responses to Gaza.4. Halevi clarifies that “We are trapped, you and I, in a seemingly hopeless cycle. Not a ‘cycle of violence’ – a lazy formulation that tells us nothing about why our conflict exists, let alone how to end it. Instead, we’re trapped in a ‘cycle of denial.’ Your side denies my people’s legitimacy, my right to self-determination, and my side prevents your people from achieving national sovereignty. The cycle of denial defines our shared existence, an impossible intimacy of violence, suppression rage, and despair. That is the cycle we can only break together.’The book is very rich in thought and emotion. I could write more, but I only would use more of the author’s words. I have nothing at all to add to his kindness and wisdom except a summary using his words: “No political formula or compromise, no arbitrary line on a map, can address each people’s deepest anxieties. We need to acknowledge why a two-state solution is so traumatic for so many of us, Israelis and Palestinians.” He teaches us that “we must learn to accommodate each other’s narratives” because we can’t change the stories we tell about ourselves, but we can change the stories we tell ourselves about each other. Read the book <3

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Download Groupware, Workflow and Intranets: Re-engineering the Enterprise with Collaborative Software

Download Groupware, Workflow and Intranets: Re-engineering the Enterprise with Collaborative Software

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Groupware, Workflow and Intranets: Re-engineering the Enterprise with Collaborative Software

Groupware, Workflow and Intranets: Re-engineering the Enterprise with Collaborative Software


Groupware, Workflow and Intranets: Re-engineering the Enterprise with Collaborative Software


Download Groupware, Workflow and Intranets: Re-engineering the Enterprise with Collaborative Software

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Groupware, Workflow and Intranets: Re-engineering the Enterprise with Collaborative Software

From the Publisher

This book goes beyond a description of the available groupware and workflow systems to explain how the development and deployment of these systems can be managed to make sure the potential is delivered.

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About the Author

A leading internet marketing consultant, trainer and author. Recognised by the CIM as one of 50 gurus who have shaped the future of marketing, Dave is an examiner on the CIM e-Marketing Award and course director for CIM e-marketing workshops since 1997. He is the managing director of Marketing Insights Limited and also lectures in e-business at the Universities of Cranfield, Leeds and Warwick.

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Product details

Paperback: 280 pages

Publisher: Digital Press; 1 edition (August 3, 1998)

Language: English

ISBN-10: 1555581846

ISBN-13: 978-1555581848

Product Dimensions:

7.2 x 0.5 x 9.5 inches

Shipping Weight: 1 pounds

Average Customer Review:

3.5 out of 5 stars

2 customer reviews

Amazon Best Sellers Rank:

#10,898,850 in Books (See Top 100 in Books)

This book provides a very high level view of the topics covered. I'd rate it as OK for someone wanting to get an overview of workflows, groupware, or intranets. However, if you are looking for an in-depth analysis of these types of systems, it misses the mark. It's an easy read if you are just looking for a high level introductory text, though.

The book is a good text book for students in the field of Information Technology. It compehensively covers the concept but is lack of the examples of real implementation.It is also quite useful for those who are seeking for introduction of business process automation.

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Groupware, Workflow and Intranets: Re-engineering the Enterprise with Collaborative Software PDF

Groupware, Workflow and Intranets: Re-engineering the Enterprise with Collaborative Software PDF
Groupware, Workflow and Intranets: Re-engineering the Enterprise with Collaborative Software PDF

Kamis, 01 April 2010

Download Ebook Sapo y Sepo son amigos / Frog and Toad Are Friends (Spanish Edition) (Sapo y Sepo / Frog and Toad)

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Sapo y Sepo son amigos / Frog and Toad Are Friends (Spanish Edition) (Sapo y Sepo / Frog and Toad)


Sapo y Sepo son amigos / Frog and Toad Are Friends (Spanish Edition) (Sapo y Sepo / Frog and Toad)


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Sapo y Sepo son amigos / Frog and Toad Are Friends (Spanish Edition) (Sapo y Sepo / Frog and Toad)

Product details

Grade Level: 1 - 2

Series: Sapo y Sepo / Frog and Toad

Paperback: 66 pages

Publisher: Santillana USA; Translation edition (October 1, 2016)

Language: Spanish

ISBN-10: 1631139525

ISBN-13: 978-1631139529

Product Dimensions:

6 x 0.2 x 7.5 inches

Shipping Weight: 12 ounces (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

4 customer reviews

Amazon Best Sellers Rank:

#394,367 in Books (See Top 100 in Books)

Love this timeless classic! We are teaching our 8 year old son to read Spanish and this series has been great in that he both loves Frog and Toad and read all the stories when he was much younger in English. Having the Spanish editions has been such a delight!!

My grandson read it in English and now we are studying Spanish from it. I love this series.

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Sapo y Sepo son amigos / Frog and Toad Are Friends (Spanish Edition) (Sapo y Sepo / Frog and Toad) PDF
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Minggu, 21 Maret 2010

Ebook Free Fish Carving, by Bob Berry

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Fish Carving, by Bob Berry

Fish Carving, by Bob Berry


Fish Carving, by Bob Berry


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Fish Carving, by Bob Berry

*96 color photos * 233 b/w photos * 60 drawings * 7 x 9 * Step-by-step, fully-illustrated instructions from a world champion carver * New color section on how to paint six trout species * First time in paperback Bob Berry set the standard in fish carving in the 1970's and 1980's and his skill has continued to evolve. This revised edition of Fish Carving: An Introduction contains a new color section on painting trout, in addition to the full text and illustrations of the six original carving projects: rainbow trout, brown trout, brook trout, bluegill, largemouth bass with turtle, and lionfish with queen angelfish. Step-by-step carving instructions are presented in detailed black-and-white line drawings and photographs. Finished carvings are shown in full color. The new 16-page color section features 64 step-by-step photos with captions. Bob Berry began his career as a taxidermist, moved on to decoy carving, and eventually specialized in fish carving. He swept the World Championship Fish Carving contest in 1986, taking the top awards in three divisions, as well as Best of Show.

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Product details

Hardcover: 140 pages

Publisher: Stackpole Books (October 1, 1988)

Language: English

ISBN-10: 081170839X

ISBN-13: 978-0811708395

Product Dimensions:

7.8 x 0.8 x 10 inches

Shipping Weight: 12.8 ounces

Average Customer Review:

4.3 out of 5 stars

17 customer reviews

Amazon Best Sellers Rank:

#519,066 in Books (See Top 100 in Books)

While the rank beginner will feel a little intimidated by the author's level of accomplishment and use of multiple types of tools (band saw, power carver, traditional knives), that should not prevent them from getting this book. A careful reading yields so much helpful information that this should be required reading for carving in any field, not just fish, and not just for the advanced carver, either. The skills you can acquire by reading this book and applying the methods are imminently useful and well beyond most carving books.I first checked this book out of my library among an armful of other carving books. I pulled this one from the top of the stack and never even got to the others. Before it was due back I purchased one. Most carving books are pretty good and you can always pick up a tip or trick you didn't know, but this one is extraordinary for it's breadth of coverage. Basic, helpful, clear. The photography of the steps is synchronized carefully with the written text printed alongside it, so you never look back and forth between photo and text and say, "I don't get it! What am I supposed to do? That doesn't look like what's in the picture."The author's background in taxidermy has clearly served him well in carving, and his achievements in both fields have shaped him into an excellent teacher. Kudos, too, to the publisher and editors for a fine piece of work. The only flaw is that it's a solitary volume. I would recommend the author demonstrate his methods throughout the genres of woodcarving - figures, fowl, caricatures, relief, chip, and so on - perhaps in a series?

i thought i was getting the 2nd edition when i placed my order it showed the picture of the second edition and i got the first, Computer glitch maybe ? All and all it is a good book i just wish there were more color photos in it. If you are a wood carver wanting to do realistic trout or fish carving's i would say it's a good book to have. I also must say that while i did not get what i thought i was getting i am still happy about what i received

Great addition to my nature carving references. Lots of subject choices with illustrations.

Great book for learning the basics. Step by step carving and painting. Very useful guide.

Excellent book. Old edition but content is very relevant today.

Fabulous book for the beginner fish carver. Have met the author and he is very passionate about fish carving and helping others to find the niche.

It is alright

as described and reasonable shipping time

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Minggu, 07 Maret 2010

Ebook Serving Genius: Carlo Maria Giulini, by Thomas D. Saler

Ebook Serving Genius: Carlo Maria Giulini, by Thomas D. Saler

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Serving Genius: Carlo Maria Giulini, by Thomas D. Saler

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Serving Genius: Carlo Maria Giulini, by Thomas D. Saler


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Serving Genius: Carlo Maria Giulini, by Thomas D. Saler

Review

  "Highly readable and musically substantive.  Strongly recommended."--Classical.Net"It was wonderful to get to know the man we have met so often in his music-making."--American Record Guide"A thorough, balanced and illuminating portrait of the charismatic Italian as man and maestro."--Chicago Tribune  "A fascinating full account of the ... conductor's unlikely path to his house in the Hollywood Hills."--Los Angeles Times"This engaging and extensive biography shows why Carlo Maria Giulini stood apart from other maestri, and above the fray: because of his gentle humanity, his spiritual resonance with music, and his uncompromising seriousness of purpose. This is certainly a book I will recommend to all the conductors I encounter, as well as others because it captures the essence of an uncommonly inspired and inspiring human being."--Kenneth Kiesler, conductor, director of orchestras at the University of Michigan, and director of the Conductors Retreat at Medomak and Conductors Programme at the National Arts Centre of Canada

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About the Author

Thomas D. Saler is a conservatory trained musician and was a longtime member of the Milwaukee Symphony Chorus. A freelance financial writer, Saler is the author of several books on personal finance, including All About Global Investing.

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Product details

Hardcover: 256 pages

Publisher: University of Illinois Press; 1st edition (January 27, 2010)

Language: English

ISBN-10: 025203502X

ISBN-13: 978-0252035029

Product Dimensions:

6 x 1 x 9 inches

Shipping Weight: 1.4 pounds (View shipping rates and policies)

Average Customer Review:

4.1 out of 5 stars

4 customer reviews

Amazon Best Sellers Rank:

#1,542,336 in Books (See Top 100 in Books)

FANTASTIC book! If Carlo Maria Giulini interests you, don't hesitate to buy this book. I really didn't want it to end. A lot of times, conductor biographies become an exercise in, he did this work here and that work there, and played this work a total of X times in his career, etc. While there is some of that (appropriately), what the book does tremendously well is give a sense as to the "hows" and "whys" of Giulini's unique style and approach. It is a very well researched book, and provides a lot of insight into Giulini the person, not just Giulini the conductor. This is really well done and highly recommended.

Conductors as Karajan and Bernstein knew how to use publicity. Carlo Maria Giulini didn't care, but he was just as good a conductor, if not better. As a human being and a musician he was highly esteemed by those who worked with him. He well deserved this accurate biography.

Overall, the book is well written, if somewhat dry, and covers his life from early school days, the difficult war years and into his most famous collaborations, with LaScala, Covent Garden, CSO and other orchestras. There are some black & white photos from youth to old age. Opera buffs hoping to find any insights into his opera career will be disappointed. I find it odd, that from his opera days, there are only a few interviews listed. Come on, one of the greatest opera conductors and all the author could come up with is Lord Harewood & Sir John Tooley (Covent Garden). Franco Zeffirelli could have provided much insight into the famous Callas/Visconti Traviata at LaScala. As to singers, only Robert Tear & Carol Neblett are listed. What??? I would have liked to hear from some of the singers Giulini worked with on his now classic albums, including: "Don Carlos", EMI Classics (Domingo, Cabballe, Verrett & Milnes, most of whom are still around); "Marriage of Figaro", EMI Classics (Taddei, Schwarzkopf, Moffo, Cossotto, Wachter & Cappuccilli -- Cossotto could have been interviewed; the "Verdi Requium", EMI Classics (Ludwig, Schwarzkopf, Baker & Gedda -- Ludwig, Baker & Gedda who are still alive could have been interviewed; "Il Trovatore", Deutsche Grammophon (Domingo, Plowright, Fassbaender, Zancanaro, Nesterenko -- Plowright, Fassbaender & Zancanaro could have interviewed; & finally Verdi's "Falstaff" (Bruson, Ricciarelli, Nucci, Hendricks, Gonzalez, Valentini-Terrani, all of whom could have been interviewed). Also, Lady Valeri Solti could have interviewed for insights into Giulini's relationship with Solti during the CSO years. The illness of Giulini's wife, Marcella, is treated sensitively & confirms what we already knew -- that he was deeply devoted to her. The lack of a discography is puzzling, considering his fame as an opera & symphony conductor. It's particularly annoying, because in the Preface, the author states that when he heard of Giulini's death, he put on a recording of Giulini conducting the Philharmonia Orchestra and Chorus in the "In Paradisum" from Faure's "Requiem" and cried. Well, it might have been nice for the rest of us to learn if that recording is available. Yes, it's on Amazon.com as are all the other albums listed in this review. There's so much other wonderful music omitted from the book that we'll have to wait for someone else to write a more complete view of his life & career. It's better to have the book than not to have it, but it's missing the heart of the man -- the opera man, one of the all time greatest. Boo, hiss, for not including a discography or a CD.

Having heard Maestro Giulini conduct the Chicago Symphony some time ago, I can tell you he was an amazing talent. He conducted a Schubert mass that was among the most memorable performances I've ever attended in my more than 50 years of listening and loving all kinds of music. Saler presents a nuanced portrait of the great conductor and one worthy of his remarkable ability to connect with audiences. Even if you've never heard Giulini make music (please sample his recordings), this is a unique insight into a master of the baton.

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Sabtu, 06 Maret 2010

Download PDF California Crazy and Beyond: Roadside Vernacular Architecture, by Jim Heimann

Download PDF California Crazy and Beyond: Roadside Vernacular Architecture, by Jim Heimann

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California Crazy and Beyond: Roadside Vernacular Architecture, by Jim Heimann

California Crazy and Beyond: Roadside Vernacular Architecture, by Jim Heimann


California Crazy and Beyond: Roadside Vernacular Architecture, by Jim Heimann


Download PDF California Crazy and Beyond: Roadside Vernacular Architecture, by Jim Heimann

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California Crazy and Beyond: Roadside Vernacular Architecture, by Jim Heimann

From Publishers Weekly

A hot-dog joint shaped like a puppy, an antique store replicating a Japanese temple, Van de Kamp's windmill-shaped bakeries, houses resembling beached boats these are just a few of the architectural curiosities featured in Jim Heimann's California Crazy & Beyond: Roadside Vernacular Architecture, an expanded edition, including 386 color and b&w illustrations, of his California Crazy of nearly 20 years ago. SoCal pop culture devotee Heimann (Sins of the City, May I Take Your Order?), a graphic designer and historian, has tracked down more examples of the "California Crazy concept" from all over the country. He maintains, however, that it originated and still exists mainly in Southern California. Copyright 2001 Cahners Business Information, Inc.

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It's hard to beat Minnesota and Wisconsin for great big fiberglass fish and game deployed as roadside advertising, equally hard to outdo the Left Coast for imaginative commercial edifices. Unfortunately, the king-size kitsch, most of it built in the first half of the twentieth century, that Heimann showcases is vulnerable to changing patterns of development and humorless crusaders for good taste (back to your castle, Prince Charles!). Heimann shows the Pup, a hot dog stand in the shape of a giant, spotted mutt, in its pristine original form and as it looked in 1940, festooned with signage and an odd carbuncle on its snout. The visually arresting contrast says much about the mutation of commerce and commercial display over the decades. Although the book is mostly illustration, the accompanying text is vital and incisive. Anyone who has ever been dumbstruck by a giant cement statue of Paul Bunyan or a restaurant in the shape of a hat ought to love this album of outre architecture. Mike TribbyCopyright © American Library Association. All rights reserved

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Product details

Paperback: 180 pages

Publisher: Chronicle Books; New edition (June 2001)

Language: English

ISBN-10: 0811830187

ISBN-13: 978-0811830188

Product Dimensions:

1 x 1 x 1 inches

Shipping Weight: 12.6 ounces

Average Customer Review:

4.8 out of 5 stars

9 customer reviews

Amazon Best Sellers Rank:

#1,007,665 in Books (See Top 100 in Books)

Novelty architecture is fun! I fondly recall the now defunct Disneyland fast food restaurant called Chicken of the Sea Pirate Ship and Restaurant--now I have to travel to Disneyland Paris to experience it. "California Crazy" doesn't feature these two theme park icons, but does have hundreds of photos and illustrations of buildings, statues and even automobiles and gives a brief history of this often crassly commercial architectural style. Called "California Crazy" because of the high concentration of novelty architecture in California, buildings that resemble something other than boxes or warehouses are found throughout the United States. Try locating examples of novelty architecture in your area.I volunteer at an Air Force museum near Ogden and one of the things I did with my edition of "California Crazy" was to bookmark the dozen pictures of aircraft-themed architecture. I left out the flying saucers--and I may have missed a few aviation references--but the B-17G bomber on page 152 perched atop the Bomber Service Station on Highway 99 (1947 photo) was noteworthy because the bomber's interior seemed to have public access--the B-17G wasn't mere decoration.It will take some effort finding buildings that aren't your standard box. Automobiles count--the famous Oscar Meyer Wienermobile is pictured in "California Crazy" but not the Batmobile.Have some fun! Buildings don't have to be boring.You can even design a dog house to resemble a dog--just don't be too surprised if that "big dog" terrifies your pooch.

I moved to San Francisco after seeing the doggie diners there. (One doggie head still exists near the Sf zoo.) if you might make a decision this way, you have found a sort of bible.

Bought this for a relative. This is an updated version of California Crazy. You get to see structures that you wouldn't necessarily see in todays day and age. For example, a hot dog stand that looks like a dog. This book gives more detailed information about the buildings than the predecessor. However, I think I prefer the photos in the original book better, as they're close ups and you can see more detail.

Amazing book on the American whimsical architecture and its history ; clearly a passion of the author to do this in such an outstanding manner; it really is a fun book for all ages

a must

I remembered that I was kid to saw the dog building site at the front cover. It was location Washington Blvd and now it was gone. I really loved to see the historical sites!

I bought this book when it first came out in 1980 and I recently noticed that a new addition was available. Well worth getting too, more pages, extra subjects (cars for instance) updated bibliography and a sparkling new layout. Author Heimann feels that architectural historian David Gebhard's term 'Programatic' does not quite capture the flavor of these buildings, I propose calling them FUNTECTURE.A new chapter, not in the original book, is 'Current Condition' which has twenty-two photos, in color, of buildings now standing and they all look very smart and well cared for but wait till you see the photo on page 169, this shows the amazing headquarters of the Longaberger company in Newark, Ohio, famous for making baskets and that is exactly what the building looks like, seven stories high with two carrying handles reaching up to the sky...only in America! You can see and read about this lovely bit of whimsy on their website.You will really enjoy this book if you are a fan of roadside America, especially if you have lived in California and maybe remember some of the weird buildings that are no longer around.***FOR AN INSIDE LOOK click 'customer images' under the cover.

Just love this collection of mostly bygone American roadside novel attractions/places! Great pictures and lots of details.

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Kamis, 04 Maret 2010

Ebook Free The Unsettling of America: Culture & Agriculture

Ebook Free The Unsettling of America: Culture & Agriculture

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The Unsettling of America: Culture & Agriculture

Amazon.com Review

The mid-20th-century environmental crisis that led to important protective legislation in the 1970s, is, to poet/farmer Wendell Berry's mind, also a crisis of character, agriculture, and culture. Because Americans are divorced from the land, they mistreat it; because they are divorced from each other, they mistreat those around them. Berry, writing in a prophetic mode, argues that if Americans are to heal the environmental wounds their land has suffered, they will also need to create more meaningful work, sustain happier and healthier lives, and return to what conservatives call "family values." The Unsettling of America is a quarter century old now, but most of its arguments remain current.

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From the Inside Flap

ssment of modern agriculture and its relationship to American culture--our health, economy, personal relationships, morals, and spiritual values--is more timely than ever. This new edition of Berry's work presents a a classic testament to the value of the American family farm.

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Product details

Paperback: 234 pages

Publisher: Counterpoint; Revised edition (March 1, 1996)

Language: English

ISBN-10: 0871568772

ISBN-13: 978-0871568779

Product Dimensions:

5.2 x 0.6 x 8 inches

Shipping Weight: 9.9 ounces (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

56 customer reviews

Amazon Best Sellers Rank:

#245,118 in Books (See Top 100 in Books)

It was the Amazon "Customers who bought this item also bought..." section that led me to this book. In fact, it just kept "popping up." In reading the summary of the book's thesis, I was embarrassed that I had not already read it: it was published in 1977. Furthermore, and with much regret, I had never heard of Wendell Berry. He lives on a farm in Henry County, Kentucky, not that far from Louisville. He is a social critic, in the tradition of Vance Packard and Paul Goodman. While he certainly criticizes consumerism, as well as education, his primary focus is on agriculture. As he notes, in some 70 years, we went from having 60% of the population engaged in agriculture to less than 2%. And he asks one of my favorite questions: so what does everyone else actually do with their new-found time? His critique of current agricultural policies and practices is insightful and scathing; again and again there are original "bon mots": "And it is one of the miracles of science and hygiene that the germs that used to be in our food have been replaced by poisons."It was jarring to read: "Earth's numbers now stand at 3.6 billion, and could double in 35 years..." And, of course they have. So, how much worse are the other negative issues that have impacted agriculture. Certainly corporate power, and it narrow, "fundamentalist" approach to the "bottom line," which necessitate, and Berry has mastered the economic lingo, shoving the total costs "off the balance sheet," and they have become "externalities." So what if the management of the fertility of the land is not sustainable? Contour plowing and crop rotation have passed out of fashion. And someone else is required to clean up the poisons dumped into our water sources. And then, what of the true nutritional value of the food being produced, not to mention the taste? (When is the last time you ate a tasty plum?) Indeed, how America became fat.Berry devotes one chapter to debunking a futuristic farm model produced by South Dakota State University. Much is "under glass," there are control towers, and push buttons, and virtually no people. So, in addition to agriculture per se, the author is focuses on the way the education establishment has become such a willing handmaiden to the objectives of corporate power in agriculture. The author notes that the Morrill Act in the 19th century set out "Land-Grant" colleges to help the farmer, but a few "corporate grants" have had an amazing impact on the nature, and outcome of "academic research. As Berry says: "Professors might again become people of experience rather than experts. They might again be able to apply their learning to the small problems of ordinary people and to recommend means and methods not profitable to the suppliers of `purchased inputs.'" Or, in terms of a liberal arts education in general, the following Goodmanesque quote: "And the so-called humanities become a world of their own, a collection of `professional' sub-languages, complicated circuitries of abstruse interpretation, feckless exercises of sensibility...the specialist professor of one or another of the liberal arts, the custodian of an inheritance he has learned much about, but nothing from." Or, in terms of society as a whole: "Can we degrade all forms of essential work and yet expect arts and graces to flourish on weekend? And can we ignore all questions of value on the farm and yet have them answered affirmatively in the grocery store and the household?"Berry devotes another chapter to analyzing the The Odyssey, one of the West's first epic tales, and demonstrates it applicableness to modern agriculture. Again, like Goodman, he examines the very nature of work and contests the idea that if we manage to avoid all the "drudgery," for example, by having someone else cook all our meals, that we actually benefit. He identifies the helplessness so many of us feel in a "specialist" society. I can't say that I agree with all of Wendell's ideas. Although concerned about population growth, he seems to advocate bringing back the rhythm method, or even abstinence (gulp!) in sexual relations. And he sees considerable upside in returning to the use of plow horses (and in limited cases, there might be.)I truly regret having missed this book while the world's population was doubling. His critiques have been amazingly prescient. It remains an essential read. 5-stars, plus.

Thoughtfully critical of the social-economic systems in place in the U.S. in the 70's, but could not be more relevant today, as evey point he highlights seems to be even more prevalent today (2015) and every point he predicts as inevitable outcomes of the follies of our misguided short term gain approach, appears to have come true. What I particularly found intereseting is that he not only provided specific criticism, he also provides solutions. Now, I'm not sure I agree with everything he says in terms of solutions, but there's a lot to take away from this book. If you're looking for a different take on environmentalism that is very much about proper use of land, not just looking at nature as something to look at, where indeed sometimes that might be the case, but really it's about figuring out how use the land without ruining it (sustainable farming), then you are in store for a thought provoking read.

SIMPLY THE BEST BOOK YOU WILL EVER READ ON HOW TO RESTORE THE EARTH AND HAVE A GREAT QUALITY OF LIFE.... With the next few years being questionable because of climate change, economic uncertainty, and political unrest this book provides an outlook that, if embraced, will help the planet resolve many of its ills, while at the same time provide you with an amazing quality of life.Along with the book is the amazing video that is Back to Eden... here's the link [...] If you are looking for how to prepare or create a more sustainable life, if you value true freedom, if you value connecting with the divine, READ THIS BOOK...it will change your life.

This could possibly be considered one of the great American books; the originality of thought and truly American perspective are very unique. It reads like Twain, but with a religious farmer's perspective, which is basically the threads of our current culture.

America is in the midst of an agricultural crisis; the crops that farms produce are reduced in quality, soil is eroding, and more and more small farms are being taken over by large mega-farms with the new “go big or go home” mentality that dominates the rural landscape. This issue is what Wendell Berry is responding to in his book, written in 1977. However, the book has aged well, as the problems with the American agricultural system persist to this day. In this book, Berry searches for the root of these agricultural problems, arriving at the broad conclusion that the problem is American culture as a whole, particularly its move towards specialization and loss of holistic living. This change has severed the average American’s relationship with the land that sustains them, and people need to rekindle that relationship to reverse the current destructive agricultural trends. One consistent theme of Berry’s search is America’s predilection towards specialization. People no longer develop multiple skills or talents; rather, they become experts in a certain field or trade, forgoing a holistic approach to their work. Instead, people train themselves to be more like small, easy to replace cogs in a larger machine, losing a rounded approach to life. Berry’s largest concern is that this trend has infiltrated agricultural practice, leading to the formation of what he calls “agribusiness,” which is agriculture that is concerned with making as much money as possible. These large agribusinesses are replacing the farmer of old, who had to be a nurturer, husbandman, and much more besides just someone who grew crops. This combination of traits is what allowed (and continues to allow some farmers) to grow the highest quality food possible, because they understood the relationships between the different aspects of farm life. This model is hard to come by nowadays, as the trend has shifted from the production of high quality food to producing a high quantity of food. Berry considers this ingrained culture a sort of “orthodoxy,” something almost dogmatic in nature; his advice to break this orthodoxy is to live “on the margins.” This particular advice to defy cultural norms recalls his famous poem Manifesto: The Mad Farmer Liberation Front, published only a few years before this book. The proposals Berry makes most certainly defy cultural norms, as he suggests a luddite-esque return to preindustrial agricultural practices similar to the one employed by the Amish. However, this shift is not the only thing Berry recommends; he also offers some seemingly more practical methods of shifting the paradigm. These include developing a healthy skepticism of specialists; a shift in governmental focus to protecting the small and weak from the great and powerful; a universal composting system that connects urban populations and the farmers that feed them; avoid monocultures, and facing the problem of carrying capacity on this earth. As a young environmentalist, I find Berry’s book and all of its criticisms quite compelling. The sheer number of topics he manages to discuss, covering fidelity in marriage and Peruvian mountain farmers in one book, also impresses me. Even though he examines a wide array of topics, Berry never loses the focus of his book and ties the subjects back to culture and its relationship with agriculture. The result is a book that discusses the overall cultural and agricultural problems in America that is relevant thirty-five years after its publication. That said, I find myself questioning how practical his overall suggestion of returning to preindustrial agricultural models is. With an exploding global population and unequal food distribution, it seems that such a drastic switch would not be feasible, and frankly irresponsible. I do think that Berry is right to point out the many flaws in our current method of agricultural production, particularly the issue of monocultures and agribusiness, but I think to reject over one-hundred years of technological innovation does not seem like a viable solution.The Unsettling of America is an important piece of writing that all environmentally minded people should read. Berry provides an excellent starting point for thinking about where culture and the environment intersect, as it occurs much more often than people might believe. Exploring the agricultural and environmental crises through a cultural lens is the only way we can ever hope to tackle such massive problems. Berry understands that, and articulates it well in this book.

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