Sabtu, 28 Februari 2015

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About the Author

Insight Guides wherever possible uses local experts who provide insider know-how and share their love and knowledge of the destination.

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Product details

Series: Insight Explore Guides

Paperback: 144 pages

Publisher: Insight Guides; 1 edition (October 1, 2018)

Language: English

ISBN-10: 1786718243

ISBN-13: 978-1786718242

Product Dimensions:

5 x 0.2 x 8 inches

Shipping Weight: 8.5 ounces (View shipping rates and policies)

Average Customer Review:

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Amazon Best Sellers Rank:

#539,004 in Books (See Top 100 in Books)

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Jumat, 06 Februari 2015

Free Ebook The Odyssey of Homer

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The Odyssey of Homer

The Odyssey of Homer


The Odyssey of Homer


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The Odyssey of Homer

From the Back Cover

The most eloquent translation of Homer's epic chronicle of the Greek hero Odysseus and his arduous journey home after the Trojan War

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About the Author

Richmond Lattimore was born in 1906. He was considered one of the leading translators of Greek classical literature. He died in 1984

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Product details

Paperback: 374 pages

Publisher: Harper Perennial Modern Classics; Reissue edition (June 26, 2007)

Language: English

ISBN-10: 006124418X

ISBN-13: 978-0061244186

Product Dimensions:

5.3 x 1 x 7.8 inches

Shipping Weight: 1.2 pounds (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

4,072 customer reviews

Amazon Best Sellers Rank:

#84,287 in Books (See Top 100 in Books)

REVISED 11/07/16: Homer's ILIAD should be read by every literate person who strives to be well-educated, and Caroline Alexander's 2015, modern translation is an excellent way to read it. It is sound, solid, clear and direct, and respectful of Homer's original. Her English syntax is natural and flowing, understandable but not (as in some other recent, modern versions) flippant or too colloquial. I rate the translation 5-stars, though I was initially tempted to rate this ebook edition of it at least one star lower because of its formatting.As very good as Alexander's translation is, this ebook edition doesn't do it justice with regard to its textual formatting. Between indents and long-line carry-overs, the left margin unevenly zig-zags in-and-out on a Kindle screen. Just when I thought I had it figured out some double-indents appeared to add to the confusion. Sadly, downloading a sample won't reveal this; the sample will only provide pages from the Introduction, whose modern prose is quite properly and comfortably presented. It is the poetry of the ILIAD itself whose indented lines are so annoyingly erratic, and this will only be evident to those who actually purchase it and read beyond the sample. Interestingly, in the very first few screens of this ebook (which do appear in the sample), a note from the publisher appears concerning this matter, apparently recognizing it as a possible source of confusion but essentially saying (in effect) that's how it is on a small-screen device, it's the nature of the beast, and readers must try to get used to it. And so I am trying, mollified somewhat by the fact that I paid only $.99 for it -- rather than $14.99 (its original price) -- during a special sales-promotion period. But more importantly, I have since discovered the formatting is IDEAL if the text is viewed in wider-screen, landscape mode on one's Kindle device. If you are able to make that adjustment (something my Kindle Paperwhite could not do until the last upgrade), the formatting problem is virtually solved and the long lines appear comfortably normal.I have read dozens of different translations of the ILIAD, and though I find Alexander's translation to be highly commendable, there ARE other great ones available (even one or two good FREE ones), many of them identified under FYI at the end of this review. Nevertheless, because this one is particularly well-done and desirable, you may even wish to obtain a hardcovered ($39.99) or paperback ($19.99) edition of it as a "keeper copy." (I intend to seek a less expensive used copy.)There have been numerous translations of the ILIAD in recent years, but while I suspect in time many of them will fall by the wayside, this one may not. Caroline Alexander's stands a good chance to remain, not only because it is THE best among most recent ones, but because it is ONE of the best among ALL translations of the ILIAD. But great though it is, it will survive in the economic marketplace only if it is competitively priced with those others. Happily, its ebook price has come down from $14.99 to $12.99 and more recently to $8.99 (making it a strong contender).Caroline Alexander is also the author of THE WAR THAT KILLED ACHILLES: THE TRUE STORY OF HOMER'S "ILIAD" AND THE TROJAN WAR (Viking Penguin, 2009). Those who enjoy her ILIAD may wish to read it.FYI: The first translation of the ILIAD was by George Chapman (1611), a formal and majestic Elizabethan English version in verse that is of interest today mainly in connection to its role in literary history. Two, free, public domain versions by Edward George Geoffrey Smith Stanley Derby (1862) and by Theodore Alois Buckley (1873) are pretty unpleasant to read; skip them. It's probably best to also steer clear of one by William Cowper (1791). Two old translations that remain popular, are easy to obtain in public domain editions, and ARE worth reading are by Alexander Pope (1715-20, in verse) and Samuel Butler (1898, in very readable prose). A once highly regarded one by Andrew Lang, Walter Leaf, and Ernest Myers (1883) was used by the Modern Library until replaced by Ennis Rees' wonderful translation (1963), my favorite. The best ILIAD translation is arguably by Richmond Lattimore (1951) with Robert Fitzgerald's (1974) being a strong contender for second-best. A 1938 one by W.H.D. Rouse is serviceable and generally okay. Likewise, Robert Graves offers a novelized version (1959) that is very readable but not a strict translation. Three excellent newer ones are by Robert Fagles (1990), Peter Jones (a superb 2003 revision of E.V. Rieu's popular 1950 version), and this one by Caroline Alexander (2015). Peter Green's highly literate translation (2015) is technically excellent but not as readable as the three just mentioned. Several other good, recent ones are by Michael Reck (1994, but now hard-to-find), Ian Johnston (2006), and A.S. Kline (2009). Three recent ones that I don't particularly care for are by Stephen Mitchell (2011, who omits too much textual content), Stanley Lombardo (1997), and Barry B. Powell (2013). These are just SOME of the other translations available.

UPDATED 09/13/17: Homer's "Iliad" is a truly 5-star great work of literature, and I certainly agree with all the other reviewers who extol its virtues, but the person who translates this epic poem into English from the archaic Greek is all-important to one's appreciation and enjoyment of it. One needn't suffer through a poor translation when good ones are available. The public domain translation by Edward George Geoffrey Smith Stanley Derby (hereafter referred to as Lord Derby) -- FOR WHICH THIS REVIEW WAS ORIGINALLY WRITTEN -- is outdated and not particularly good; it is certainly not enjoyable to read. (For that reason, I suspect few of the rave reviewers, though they quite rightly love and enjoy the "Iliad," have actually endured THAT particular public domain translation of it.)This review is now attached to OTHER editions by (perhaps) OTHER translators; hopefully they will be identified in the Kindle Store blurb so you can choose a good one (and avoid Lord Derby's, which I have rated 2-stars). Disappointingly, the AmazonClassics edition does not identify its translator (seemingly Derby, but in any case, just as bad), though it HAS added line numbers.Faithfulness to the original language AND readability are what one seeks in any translation of the "Iliad," and the translator must strike a proper balance between the two. Greek sentences are structured differently from English sentences, and adhering too strictly to Greek word order and syntax will result in very awkward English. Throw Homer's poetic form into the equation and the result can be a very unreal English syntax. The translator has to determine what Homer said and meant (back then) in Greek and decide how BEST to communicate that to us (today) in English.There is no particular virtue in reading a sometimes convoluted Elizabethan or Victorian rendering of the "Iliad" in iambic pentameter or heroic couplets (since Homer used neither) unless one especially enjoys reading such. In fact, foundational differences in the two languages prevent a true equivalence in English of Homer's original poetic structure in Greek; that is the reason why many translators, considering any such versification to be artificial at best and dishonest at worst, render this work in prose. But at the very least Homer's poetic form was comparatively simpler and his linguistic expression was more direct than some older translators using English poetical formats make him seem; that is why other translators now often choose free verse as being an acceptable alternative to either complex metrical forms or prose.Of course, being readable or "understandable" is not the same as being "easy," and being too simple or too contemporary is no more of a virtue than being too difficult or too old-fashioned; rendering Homer's Greek into remedial-reader English or today's slangy vernacular is inappropriate, inaccurate and does the modern reader a disservice -- so one must choose one's "Iliad" (and one's translator of it) very carefully (a task not made any easier by countless Kindle Store editions -- like the one from AmazonClassics -- whose blurbs fail to identify the translator, or which seem to describe one translation but actually provide another).Below (in no particular order) are various translations (most, but not all of them, good) that I have read and can personally attest to. Several are available as ebooks; others may have to be obtained new or used in paperback or hardcover. Some adopt a poetic format; the others (which I have specifically indicated) are in prose.(1) Robert Fagles' 1990 free verse translation from Penguin is particularly readable (and the introductory information by Bernard Knox is invaluable). Perhaps due to its having been somewhat over-hyped, academicians now seem less enthralled by it than they once were, some on the grounds that Fagles does not always strictly adhere to Homer -- but usually that claim is made when comparing Fagles' to more literal translations, ones that are more scholarly but much less readable. I find his version quite sound, and I (and many others) still like it. I think it merits serious consideration as an excellent first choice and a contender for favorite translation.(2) E.V. Rieu's original 1950 prose version (from Penguin) was very understandable but in some specific instances treated Homer a tad too freely. This has been remedied in the present prose version, expertly updated by Peter Jones in 2003. I liked the original very much, but I like the update even better. This is also a very good first choice and a favorite of many.(3) W.H.D. Rouse provided a sometimes loose but generally serviceable, 1938 prose rendering which was long available as a popular, low-priced paperback. At one time this self-proclaimed "plain language" version was widely used in many public schools because it was inexpensive and considered easier-to-understand than other (pre-1938) versions then available; with newer versions today, that ease is debatable. An ebook edition of it as a Signet Classic from Penguin is currently available in the Kindle Store.(4) Ennis Rees' refreshing, 1963 free verse translation from Random House/Modern Library is my favorite and not too dissimilar in style from Fagles' but (perhaps) more straight-forward. At present, it may not be easy to locate a copy outside of a used book store since it seems to be out-of-print.(5) Michael Reck's 1994 version, from HarperCollins, stresses its adherence to the oral tradition and is an honest, solid, respectful, and understandable translation. Though it seems to be lesser known, it is faithful to the Greek yet with comfortable English syntax. It also is not easy to find; an ebook edition, available when I originally wrote this in 2012, has sadly since disappeared from the Kindle Store.(6) Alfred Hurd Chase & William G. Perry Jr., wrote a prose version in 1950 once available in paperback from Bantam and used in schools. I haven't seen this lately, but it is very readable, and I treasure my battered old copy.(7) Richmond Lattimore's VERY accurate 1951 translation is published by the University of Chicago. It is much heralded but more scholarly and more difficult to read than other modern versions; it is widely regarded as THE very best translation. While I recognize its true greatness, it is not my favorite due to its awkward English syntax (making it, for me, a chore to read).(8) Robert Fitzgerald's 1974 translation from Doubleday is very highly regarded, but it is not an easy read. Many names are spelled less familiarly (such that "Achilles" becomes "Akhilleus"). I have a love-hate relationship to this version. It would not be my first choice for story comprehension and ease-of-reading, but its rich visual imagery and keen word-play amply reward anyone willing to make the effort to read it and devote the time to fully savor it. As I become disenchanted by the shallow simplicity and flippancy of some newer translations, I find this one becoming ever more appealing to me. After Lattimore, this is generally regarded by many as the second-best translation.(9) Robert Graves made an exciting novel-like, prose "translation" in 1959 titled "The Anger of Achilles" which is literate, generally respectful to the original, and particularly enjoyable. This lively version is great fun to read -- though debatably not a "true" and proper translation -- and an ebook edition will be found in the Kindle Store.(10) Stanley Lombardo's well-received 1997 translation is one I didn't fully read, because what I did read of it didn't impress me. Both in tone and in linguistic style, I found it to be an odd and inconsistent mix of formal and informal, noble words and deeds juxtaposed with jarring colloquialisms. I am probably in the minority, but I did not like this version.(11) Alexander Pope's classic version (1715-1720) is arguably more Pope than Homer, though some people love his heroic couplets, and it IS truly a poetic masterpiece in its own right. For many Pope fans, THIS is the one and only "Iliad," and if Homer didn't write his this way, he SHOULD have.(12) William Cowper's 1791, blank verse version demonstrates, by comparison, just how good Pope's is. Cowper's rendering results in awkward English syntax that is not as much to be read as deciphered. When I have to mentally re-translate a translation, I seek another.(13) Stephen Mitchell's 2011 translation demonstrates that being new and easy isn't necessarily always better. Like Lombardo, he uses too much inappropriate and sometimes jarring colloquial English, but unlike all the others, he expunges quite a few sections (and one entire book) of traditional text he feels are post-Homeric additions. (But what if he is wrong?) Given the accretive nature of this epic at virtually every stage in its development and transmission to us, this excision seems ill-advised. Being thus different in material-content from ALL the others, this ipso facto abridgment causes it to be something of a secondary or niche translation.(14) Andrew Lang, Walter Leaf, and Ernest Myers rendered the "Iliad" into late 19th century, "modern" English in their 1883 prose version. Although slightly old-fashioned in style, it is quite readable and has a reputation for accuracy. My copy is an old Modern Library Giant.(15 & 16): Two new translations currently available in the Kindle Store, one by Ian Johnston (2006) and the other by Barry P. Powell (2013), I have only sampled. I found nothing dramatically wrong with either of them, except a colloquialism or two in Powell's that seemed incongruous to me, such as when he has Agamemnon say to his men, "So don't rub me the wrong way" (Book 1, Line 33). Both pass muster in that Homer is generally honestly and powerfully rendered, but I personally don't care for Powell's translational flippancy and style. Neither translator offers a significant qualitative improvement over other recent translations, though Johnston comes close, and I prefer him to Powell.(17) Caroline Alexander's 2015 translation from HarperCollins DOES offer a superb and significant improvement over other recent translations, and I highly recommend it. Without a doubt the best among new ones, it is also superior to many old ones. Though solid and true to Homer, her English syntax is direct and natural, never flippant or colloquial. The ebook formatting of its long lines, necessarily divided on small-screen, Kindle-type devices, is uneven and distracting -- but that is easily remedied by switching to landscape mode.(18) Peter Green's 2015 translation, published by the University of California Press, is rightly praised for its faithfulness to Homer's Greek (not unlike Lattimore) and its lush poetic imagery, but because of that, its English syntax is not always as smooth or direct as might be desired. Nevertheless, it is superior in many ways to other recent versions mentioned above (by Johnston, Lombardo, Mitchell, and Powell), but NOT (in my opinion) to Caroline Alexander's (which I find more readable).(19) A.S. Kline's 2009 translation provides a version for the average, non-specialist reader and is currently bargain-priced at only $1.99, but his heavy use of commas offsetting every phrase makes for choppy reading.(20) George Chapman was the first translator of Homer, and his formal but majestic, Elizabethan verse edition of 1611 was (and by some, still is) highly regarded. Today, its interest to us is more in the realm of literary history than as a practical choice for general reading.(21) Theodore Alois Buckley's public domain version (1873) is no better than Lord Derby's, and like it, should probably best be avoided.(22) Samuel Butler's sturdy, 1898 prose version is worth considering (and I will say more about it below as a public domain alternative to Lord Derby's).The above list is by no means complete -- there are MANY others -- but it hints at the number and variety of translations that exist. Each of these translations (whether prose or poetry) has particular strengths and weaknesses as well as supporters and detractors, and none is perfect. That, not unexpectedly, creates some robust debate among readers of them. But, in my opinion, most of them are preferable to the public domain version by Lord Derby.I would certainly encourage you to consider trying some or all of the above, but I might suggest (purely as a practical and inexpensive starting point) the public domain, prose translation by Samuel Butler, available for free from various online sources. A free verson may not be currently offered in the Kindle Store, but several well-formatted editions are sold there for as little as $.99, and for that low price some even include Butler's translation of "The Odyssey." Although a well-known, late 19th century translator of Homer's two epics and the favorite of many readers, Samuel Butler isn't necessarily the scholar's favorite, and (like virtually every other translator of Homer) he has a few idiosyncrasies [see the NOTE below]. Therefore, he may not be considered the "best" translator from an academic perspective, but Samuel Butler's English IS straightforward, comparatively easy-to-read, and appropriately majestic but quite understandable; you will certainly be able to better appreciate and enjoy the drama and sweep of the "Iliad" in HIS version rather than struggle with the awkward English of Lord Derby's.NOTE: One of Butler's idiosyncracies (which is by no means unique to him) is a preference for using the names of Roman deities rather than the Greek (as in "Jove" rather than "Zeus"). He did so because he felt readers of his time were more familiar with the Roman names; today, the opposite is true. I do, however, own two hardcovered editions of Butler's translation in which all the Greek names have been restored, so presumably there MAY be a similarly treated ebook available (though I haven't yet found it). Not all (nor even, most) Greek names have been so treated by Butler; "Achilles," for example, remains "Achilles" (though "Odysseus" does become "Ulysses"). But for most readers the occasional appearance of a Roman name should prove to be little more than a minor distraction from an otherwise enjoyable text. Since no translation is perfect, at least this imperfection is quite bearable.ADDENDUM: Today the distinctions between poetry and prose treatments are fading due to the replacement of old, rigid metrical forms with new, free verse translations that are as direct, pleasant and comfortable-to-read as their prose counterparts. By going with the flow and reading the text as written, adhering to punctuation, pausing at commas and stopping at periods, but NOT slavishly and artificially stopping at the end of lines UNLESS punctuation dictates, readers should find in these free verse translations language as natural and understandable as that contained in prose versions. With so many wonderful translations currently available (whether in prose or in poetry), NOW is truly a great time to find and read an "Iliad" that's just right for you.

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Kamis, 29 Januari 2015

Free PDF The Chicago Guide to Grammar, Usage, and Punctuation (Chicago Guides to Writing, Editing, and Publishing)

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The Chicago Guide to Grammar, Usage, and Punctuation (Chicago Guides to Writing, Editing, and Publishing)


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The Chicago Guide to Grammar, Usage, and Punctuation (Chicago Guides to Writing, Editing, and Publishing)

Review

“[A manual] for those of us laboring to produce expository prose: nonfiction books, journalistic articles, memorandums, business letters. The conservatism of his advice pushes you to consider audience and occasion, so that you will understand when to follow convention and when you can safely break it. When someone offers you good advice, you would do well to take it.” (John E. McIntyre Baltimore Sun)"The Chicago Guide is not what I expected, but it is what I had hoped for. There are a lot of grammar books available and a lot of sharply focused books on specific items . . . but there aren’t many, if any, that are comprehensive and accessible. The Chicago Guide certainly is accessible and comprehensive." (An American Editor)“This grammar book doesn’t shoot and leave. It stays with you.” (Hamodia)“Writers, copy editors, and students seeking advice or explanations of the conventions of standard literary English will find definitive, clearly expressed rulings in The Chicago Guide to Grammar, Usage, and Punctuation. . . . Essential." (Choice)“Garner’s guide is well-organized, logical, comprehensive, up-to-date, and comes alongside the reader in his or her search for clear as well as correct language (the second is not always the first).” (Reference Reviews)“At last, everything I had long been looking for in a single volume presented logically and explained adequately in terms that any interested reader can not only follow but also make his or her own with a little due diligence and old-fashioned intellectual elbow grease.” (Thomas R. Claire Publishing Research Quarterly)“A grammar companion such as this one to CMS and an authoritative dictionary would establish language authority across company texts. Therefore, this work is highly recommended.” (Technical Communication)“A thoroughgoing, clear explication of the traditional categories of grammar, expanded from his summary in The Chicago Manual of Style and a fit companion to Garner’s Modern English Usage.” (John E. McIntyre, author of The Old Editor Says)“Garner is the greatest writer on grammar and usage that this country has ever produced.  This book will be an instant classic.” (David Yerkes, Columbia University)

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About the Author

Bryan A. Garner is president of LawProse, Inc. and Distinguished Research Professor of Law at Southern Methodist University. He is the author of the "Grammar and Usage" chapter of The Chicago Manual of Style and editor in chief of Black’s Law Dictionary. His many books on language and law include Garner’s Modern English Usage and Legal Writing in Plain English, the latter from the University of Chicago Press.

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Product details

Series: Chicago Guides to Writing, Editing, and Publishing

Hardcover: 552 pages

Publisher: University of Chicago Press; 1 edition (May 16, 2016)

Language: English

ISBN-10: 9780226188850

ISBN-13: 978-0226188850

ASIN: 022618885X

Product Dimensions:

7 x 1.7 x 10 inches

Shipping Weight: 2.4 pounds (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

18 customer reviews

Amazon Best Sellers Rank:

#119,121 in Books (See Top 100 in Books)

This book is essentially an expansion of Garner's usage chapter from the CHICAGO MANUAL OF STYLE with a distinct emphasis on correctness rather than the style, workflow, and formatting covered in CMOS. And that's a good thing, as it focuses on helping writers at all levels. Less pedantic (in my opinion, anyway) than GARNER'S MODERN ENGLISH USAGE, and more accessible as a result, it follows a similar structure to that of CMOS. Some may find GARNER'S MODERN ENGLISH USAGE hard to follow because the head entries are alphabetical, and for those readers this book will seem more logical as it is grouped by typical subjects (e.g., prepositions, clauses, subjects, verbs). Other huge selling points are a 100-page subchapter titled Troublesome Words and Phrases, a 32-page Word Index, and an 88-page Select Glossary (I wonder what the Unabridged Glossary looks like). All of these are great aids for less-experienced writers or those who find certain indexing styles particularly vexing (nearly always the fault of the author or indexer, not the reader, by the way, and I'm not being sarcastic in this particular instance).One reason I like Garner's other book is its use of relevant and user-friendly examples. CMOS is not always so generous with such examples, though it is improving. The CHICAGO GUIDE TO GRAMMAR, USAGE, AND PUNCTUATION uses numerous examples in every section, and in many cases it divides them into "good usage" and "bad usage" categories to show both right and wrong variations. I find this much more helpful in explaining usage to others and it should aid comprehension for many readers. Garner also uses word-frequency data to show the prevalence of certain word forms and their lexicological competitors.This book is an excellent reference choice for writers at all levels (editors also will find good examples to clarify usage for themselves and clients). And a word for those who've heard that Garner is prescriptivist—he only seems prescriptivist for those rules that good writers do and should follow to ensure that readers take them seriously. He often points to certain uses that just don't matter so much anymore (e.g., he notes that "hopefully" is still avoided by good writers, but that the differentiation is likely lost on most readers and therefore not so important). And in case you wondered whether all those actors who pronounce "homage" as "OH-MAUGE' " and "often" as "OFT' EN" were just being pretentious—they are (of course I'm biased—otherwise, why would I write a silly review?).And finally (I presume you are cheering), at least Garner had the knowledge and good sense to provide a proper title for his book, unlike those numerous ones calling "usage" "grammar" and "grammar" "usage" without any hint of shame.

Absolutely love this as a companion to the Chicago Manual of Style. It's clear, concise, and pretty easy to navigate, and it offers supplemental examples that the CMS does not. I'm extremely happy with this and the CMS as a style manual. Match it with a good dictionary like Random House and a solid thesaurus, and you'll never need the internet again.

Here is a welcome extension volume to Garner's acclaimed Modern English Usage; together they make an invaluable source of articulate, authoritative, convincing (and witty) discussions of many of the problems that writers and editors of quality prose will encounter.

Garner’s usage guides are invaluable, but it’s difficult to figure out who would want this book. Lovers of grammar will be frustrated, and anyone trying to learn the complexities of grammar and punctuation will be misled. For one thing, Garner muddles the terminology. On the very page (165) on which he defines a clause as “a grammatical unit that contains a subject, a finite verb, and any complements that the verb requires,” he presents as an example of a subordinate clause the word-group “despite my father’s warning not to” (which is a phrase, not a clause, because it lacks a finite verb). Discussing the bracketed word-group “we’re making progress slowly but surely” on page 146, he claims that “but joins two adverbs within an adverbial clause,” but that word-group is an independent clause, not an adverbial dependent clause. Garner doesn’t always have a sure grasp of the parts of speech, either. He classifies “through” in the sentence “I’d like to see the problem through” as a preposition (page 139), but “through” is an adverb in that instance. For Garner, terms change meaning from page to page. On page 127, he defines an adverb as a “word”; on page 85, he illustrates his statement that “it is now widely acknowledged that adverbs sometimes justifiably separate the to from the principal verb” with the sentence “[T]hey expect to more than double their income next year.” “More than” doesn’t satisfy his definition of an adverb as a single word; it’s a phrasal adverb, which he defines elsewhere. Explanations are opaque (from page 143: “The conjunction joins a clause. . . .” Hunh?). Examples don’t always relate to the rules they are intended to illustrate. On page 375, the rule “Use a hyphen to connect the parts of a phrasal adjective—that is, a phrase whose words function together to modify a noun” is illustrated with the sentence “Being competitive, risk-taking, status-conscious, dedicated, single-minded, persevering—it can make all the difference to success,” in which there’s no noun for those phrasal adjectives to modify. Although the book has the imprimatur of the University of Chicago Press, the discussion of punctuation trashes rules in The Chicago Manual of Style, including 6.20 and 6.45 (rules identical to those enforced at The New Yorker). The section on punctuation is in fact the weakest in the book. Even though each chapter discusses common misuses of punctuation marks, the chapter on the slash does not even address the most controversial and disputed use of the slash—to mean “and” rather than “or.” (The discussion of the slash in his usage books is much more helpful.) The chapter on colons never explicitly states that an independent clause must almost always precede a colon. (And he discusses only one misuse of the colon, though in his usage books he discusses four misuses.) One can go on and on. Bryan Garner is a whiz, no question, but this book needs a redo. Buy one of his usage books instead. They’re a better bargain, they’re more comprehensive, and they’re brilliant!

I'm an author and needed some indepth grammar guidelines. The Chicago Guide to Grammar Usage satisfied that need.

I use this is a companion to the Chicago Manual of Style, and define my whole department's grammatical usage by this book. It's the one to go to.

Anything by Bryan A. Garner is excellent if you're interested in grammar and the meaning of words.

An excellent accompaniment to style books, such as the Chicago Manual of Style, and also to Garner's Modern English Usage.

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Sabtu, 17 Januari 2015

Download PDF , by Charity Phillips

Download PDF , by Charity Phillips

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Product details

File Size: 3103 KB

Print Length: 550 pages

Simultaneous Device Usage: Unlimited

Publication Date: June 10, 2018

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B07DNB1YBH

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Amazon Best Sellers Rank:

#33,873 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

I enjoy historical fiction and romance. These characters lack depth, and the setting is less than historically accurate. Disappointing

Admired the courage to withstand the towns sentiments. Got to know the girls and how they changed their lives.

I enjoy clean western historical romances that highlight the plight of those who set out to settle the West - and these fit exactly into that category.The first young woman, Carrie, starts the series. She's a mail order bride headed to California that loses her nerve when she gets to Kansas. She decides to stay and work as a waiter-girl at Stewart House. She makes friends there and several of these friends become the brides of the books that follow.Beverly is Carrie’s sister and took her place at the restaurant. Stewart House is using frozen steaks instead of local meat, which she can't understand. She decides to get involved and makes big changes!Annie has worked at Stewart House for a year. She initially came to meet her fiancee halfway, but he never showed up. She loves Stewart House. A farmhand comes in and they realize he was the no-show fiancee.Rita supervises the staff at Stewart House and has been there the longest. She wants marriage and a family and decides a mail-order husband is the best way to get them.Tessa is a waiter girl who hear about the newspaper from sisters Wendy and Emmile. Tessa responds to an ad and writes to a local man. Tessa wants love and marriage - and to keep her job as well.Emmie doesn't want marriage, she'd actually love to open a library. Her friend catches her glancing at the newspaper and decides to do some matchmaking for her. She gets an unexpected letter from Mr. Cline, the lawyer in town, and writes back to him.I liked these stories, all of them. Because they're short, the stories developed more quickly than seemed reasonable, though I'd have loved the author to have fleshed them out a little more so the romances would've developed a little more naturally. (Most of these women were engaged and married as quickly as their second meeting, which was pretty unbelievable to me.) If she'd done that, I'd be giving these 5 stars all the way around.* I received a copy of this book for review consideration.

I received this book set for review consideration, this is my honest and voluntary review.Each of these women in this six book boxed set are strong, caring and fall in love.Each faces challenges that they must overcome to find themselves and the love ofTheir lives.It would be so easy to just tell you everything about each book however that wouldactually cheat you out of the pleasure of finding out everything they each go through.I think you would enjoy that much more than being told what to except.What I can do for you is to highly recommend this book set to you. I know you willenjoy it as much as I have. So do yourself a favor and get this book set.

I received this Arc for review consideration. This is the stories of some innovated, courageous young woman who want to make a life for themselves at a restaurant that has the best steaks around. The train brings customers from all over to try their steaks. The ingenuity and perseverance of these young woman is unshakable and they might just find love along the way. This is such a wonderful series. If you like to read stories with heart and Happy endings and just pure fun to read this is the one for you.

I thoroughly enjoyed these stories. Charity Phillips seemed to write mail order brides with a fresher voice. I was getting tired of reading mail order brides, but these stories really held my interest. I did enjoy how these brides knew each other. Plus it was nice to have the now married ladies in later stories. They are all good stories. The brides each have their own personalities. Freshly written stories that hold your interest. I highly recommend this book.

I enjoyed some of these stories more than others. Loved how independent some of the women were, and their struggles on life. Should they be independent, at a time when it was looked down upon for a woman to stand on her own, or should they follow their heart and marry? Even if its what they were fighting against the whole time? Just the message of strength and courage given in these pages, its inspiring! I received an ARC of this book.

Working at the elite Stewart House was a goal for some.They made close friendships, some closer than others. Some stories more interesting than others. They had interesting rules. I received this ARC copy for review consideration.

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Senin, 15 Desember 2014

PDF Ebook Bait, by Alex Sanchez

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Bait, by Alex Sanchez

Review

"The emotions are keenly conveyed here, and long after the other plot details have faded, Diego's raw urgency and need will likely linger with readers."--"The Bulletin of the Center for Children's Books"""Bait" opens some new, deep territory -- difficult, heartbreaking, and courageous; Diego's story will stick with readers for a long time. Alex Sanchez is a wonderful writer, brave and compassionate." -- Terry Trueman, Printz Honor author of "Stuck In Neutral""Sanchez draws his characters lovingly, making it very apparent that he...genuinely understands their peril."--"Kirkus Reviews""An authentic and tender story...Sanchez does a masterful job."--"Publishers Weekly"

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About the Author

Alex Sanchez spent almost fifteen years working with youth. He is the author of the teen novels Boyfriends with Girlfriends, Bait, The God Box, Getting It, Rainbow Boys, Rainbow High, and Rainbow Road, as well as the Lambda Award–winning middle-grade novel So Hard to Say. Lambda Literary Foundation honored Alex with an Outstanding Mid-Career Novelists’ Prize. He lives in Thailand and Hollywood, Florida. Visit him at AlexSanchez.com.

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Product details

Age Range: 12 and up

Grade Level: 7 - 9

Lexile Measure: HL630L (What's this?)

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Paperback: 256 pages

Publisher: Simon & Schuster; Reprint edition (2009)

Language: English

ISBN-10: 1416937749

ISBN-13: 978-1416937746

Product Dimensions:

5.5 x 0.7 x 8.2 inches

Shipping Weight: 8.8 ounces (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

31 customer reviews

Amazon Best Sellers Rank:

#480,707 in Books (See Top 100 in Books)

Lots to like about this novel, but there were some quirks which sort of ruined it for me and made it seem unrealistic. So, this is supposed to take place in Corpus Christi. Texas is very hot and humid. Boys in Texas play football, or soccer, if you were Mexican. All kids go to gym class, especially in high school. If you went swimming at a beach, you would have to wear a swim suit. My point is that there is no way a boy in Texas, especially South Texas, would be wearing a long sleeve shirt all the time. He would have take it off at least once a day for gym class at school. No one swims wearing a long sleeve shirt. No one would be bicycling around town in humid Texas wearing a long sleeve shirt, unless you were a Mormon missionary, perhaps. Some things in this story just did not add up. Maybe the author should have made it take place in Virginia, not Texas. Even the food was wrong. No one eats fish and chips in Corpus Christie. People eat fish tacos. I like what the novel was trying to accomplish, it just didn't ring true for the scenario. It just didn't seem real to me, since I lived in South Texas. It was as if the author just picked a place, but he had never actually been there himself.

I've read this book several times and it made me cry every single time I did.This is one of my favorites books, even though I'm not into sentimental books or movies. This is a great book if you're going to a sort of depression, even if it's not Diego's sort of/cause of depression.Vidas is basically taking a roll of a psychologist/therapist towards you through the book without you even noticing it.Some people said something about some parts of the story being dull because of the ocean and the shark... *sighs* Symbolism, guys, symbolism...*SPOILER*Him being in the middle of the ocean symbolizes him being alone in the depression, anger, sadness, etc. due to the fact that he had to keep quiet about the rape.The shark symbolizes the shark tooth... You know? When he escaped his feelings through self-harm (that could've killed him if he wasn't careful).Put the shark and the ocean together and you get his life and maybe even a foreshadowing of his near-death experience.*SPOILER OVER*This story is not for everyone, obviously. If you think self-harm is "stupid" or a way to "seek attention," you WILL NOT be able to connect with the main character.This is the only book I've read from this author and I've been thinking about more of his stuff, but it doesn't seem like my thing. Plus, I don't have the time anymore...If you like sentimental books, I highly recommend this one. This one is in my top 5 favorites. :)

If you are looking to become a Juvenile Probation Officer or even a counselor... I HIGHLY recommend this book. After reading this book I guarantee you will become much more aware in general. About your life and others including clients. Here and there you want to think, “ GET TO THE POINT...” but realistically no one openly says what they are think or what is going on in their life... therefore this book keeps you guessing, and allows you to place yourself in the child’s shoes.

Bait was one of the easiest, quickest reads I have had in awhile. I sat down for a moment, and before I knew it, it was over. For a story revolving around sexual abuse, it went down rather smoothly. And while I wasn't in tears or emotional distress, the story was believable, the characters endearing and real. In some ways, it felt strange to take such a tale so lightly, but it is the most appropriate way to address such issues with kids. As a teacher who works with severally abused and neglected children, I was thrilled to have found a novel that I could use at times for students dealing with similar issues.As always, Alex Sanchez's writing is always a joy to read.

I've read all of Alex Sanchez's other books and this one was excellent, as I have come to expect from him. I'm glad that the main character is not gay as I think that would box Mr. Sanchez in too much. Christopher Rice started out writing about gay main characters but on his third book the protagonist was straight with gay supporting characters. I think this is very important if the books are going to reach a larger audience. This is the second time Mr. Sanchez has chosen to write about a straight person and given him a gay character in a supporting role. I think he does this very successfully.

This book was absolutely amazing. The story of Diego and all that he had to overcome was so powerful, and it even helped me through a few of my own problems.It starts out with Diego punching a gay guy for looking at him funny... but don't get turned off by this! It plays a very important part in the plot. Why exactly is Diego so afraid of homosexuality? Well it had to do with his stepdad, Mac, who molested him.This has become my favorite book, and I would highly recommend it to anybody, but especially to those who have suffered through sexual abuse.

What an amazing piece of art.Bait takes you on the journey of healing for a very troubled young teenager. Diego struggles with his past and what happened to him. The author unfolds this process of healing with such passion and courage, that one feels Diego pain right in ones heart. You are right with him on the journey, like a silent companion.The characters are perfectly written and developed - and with such a depth, that they feel just real. Especially Diego with his deep hidden pain.If you like to read about the healing process of troubled teenager, who has been repeatedly abused, you will like this book - and yes, there is a happy ending :-).

Great easy read. The connection the author made with the main character and the reader was emotional and left great expectations to learn from.

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Minggu, 14 Desember 2014

Ebook Shrimp Farming and Mangrove Loss in Thailand

Ebook Shrimp Farming and Mangrove Loss in Thailand

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Shrimp Farming and Mangrove Loss in Thailand


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Shrimp Farming and Mangrove Loss in Thailand

About the Author

Edited by Edward B. Barbier, John S. Bugas Professor of Economics, Department of Economics and Finance, University of Wyoming and Suthawan Sathirathai, President, Good Governance for Social Development and the Environment Institute (GSEI), Bangkok, Thailand

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Product details

Hardcover: 288 pages

Publisher: Edward Elgar Pub (March 1, 2004)

Language: English

ISBN-10: 1843766019

ISBN-13: 978-1843766018

Product Dimensions:

6.2 x 1 x 9.2 inches

Shipping Weight: 1.3 pounds (View shipping rates and policies)

Average Customer Review:

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Amazon Best Sellers Rank:

#1,052,701 in Books (See Top 100 in Books)

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Senin, 24 November 2014

Download The Demigod Files (A Percy Jackson and the Olympians Guide), by Rick Riordan

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The Demigod Files (A Percy Jackson and the Olympians Guide), by Rick Riordan

The Demigod Files (A Percy Jackson and the Olympians Guide), by Rick Riordan


The Demigod Files (A Percy Jackson and the Olympians Guide), by Rick Riordan


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The Demigod Files (A Percy Jackson and the Olympians Guide), by Rick Riordan

From School Library Journal

Grade 5–9—This slim volume is clearly intended as a stop-gap product to tide eager readers over until the final volume of the series is released. In addition to three previously unreleased short stories about Percy and his companions, it also includes such filler as interviews with the same, along with word games, portraits of some of the Gods and their half-blood offspring, and the inevitable sneak preview of Book 5. The short stories are the meat of this book, and are filled with Riordan's trademark anachronistic humor. The first one puts Percy and his enemy Clarisse, the daughter of Ares, on the same team as she tries to retrieve her father's chariot, which has been hijacked as a prank by her two immortal brothers. The second story relates an incident that occurred during one of Camp Half-Blood's infamous Capture the Flag games, when Charlie Beckendorf, the camp counselor for Hephaestus, is captured by a horde of giant, poisonous ants, and has to be rescued with the help of a mechanical dragon. The final story brings Percy, Thalia, and Nico, the son of Hades, together at the request of Persephone to help retrieve Hades's stolen sword, the loss of which could be deadly to the Gods, and the resolution of which forms a lead-up to the probable events of Book 5. Despite the fact that this is more of a marketing package than anything else, the quality of and interest in the three stories likely justifies its purchase.—Tim Wadham, St. Louis County Library, MO Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

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Review

This slim volume is clearly intended as a stop-gap product to tide eager readers over until the final volume of the series is released. In addition to three previously unreleased short stories about Percy and his companions, it also includes such filler as interviews with the same, along with word games, portraits of some of the Gods and their half-blood offspring, and the inevitable sneak preview of Book 5. The short stories are the meat of this book, and are filled with Riordan's trademark anachronistic humor. The first one puts Percy and his enemy Clarisse, the daughter of Ares, on the same team as she tries to retrieve her father's chariot, which has been hijacked as a prank by her two immortal brothers. The second story relates an incident that occurred during one of Camp Half-Blood's infamous Capture the Flag games, when Charlie Beckendorf, the camp counselor for Hephaestus, is captured by a horde of giant, poisonous ants, and has to be rescued with the help of a mechanical dragon. The final story brings Percy, Thalia, and Nico, the son of Hades, together at the request of Persephone to help retrieve Hades's stolen sword, the loss of which could be deadly to the Gods, and the resolution of which forms a lead-up to the probable events of Book 5. Despite the fact that this is more of a marketing package than anything else, the quality of and interest in the three stories likely justifies its purchase. SLJ"

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Product details

Age Range: 10 - 14 years

Grade Level: 5 - 9

Lexile Measure: 630L (What's this?)

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Series: A Percy Jackson and the Olympians Guide

Hardcover: 160 pages

Publisher: Disney-Hyperion; 1 edition (February 10, 2009)

Language: English

ISBN-10: 142312166X

ISBN-13: 978-1423121664

Product Dimensions:

5.5 x 0.6 x 7.2 inches

Shipping Weight: 8.8 ounces (View shipping rates and policies)

Average Customer Review:

4.7 out of 5 stars

4,031 customer reviews

Amazon Best Sellers Rank:

#15,642 in Books (See Top 100 in Books)

As a huge fan of Percy Jackson, I was so excited to continue the adventure with The Heroes of Olympus. After reading this book, the first in the series, I'm neither satisfied nor disappointed. It was nice to dive back in to the world of Camp Half-Blood but I just couldn't get too involved with the new characters like I did with Percy and his crew. I also purchased the second book to try and get more into it, that book will determine whether I continue the series or not.As for if I would recommend this book, I'd say it's worth a try. :-)

I love a good book. My favorites are usually modern day stories about normal people with a little bit of magic thrown in to make it interesting. I originally started reading the Percy Jackson series because my granddaughter liked the movie. So I bought her the series and we read at least a chapter or two every time we spend a few hours together. My girl does most of the reading and I sort of explain the parts or words she doesn't understand. We've almost finished all of the Percy Jackson series. And I must confess, since I read just a bit faster, I've moved onto the Lost Hero series. It started a bit slower than the other books. But as I read the story I found myself wondering how it was going to play out. Greek mythology is just as fascinating as Roman mythology. I like that they're being mixed together and how these series are overlapping. The message I see in both series is one of honesty, and friendship and trust. The concept of right and wrong should be installed into young people at an early age. Age appropriate explanations of actions and consequences. These books have helped my granddaughter, who is just about 8 years old, to learn to think about what will happen once she has said or done something. I'm thankful there are stories that have captured her interest and attention. She is also beginning to understand that the lessons these books are helping her to learn will help her throughout her life!! That is the best compliment I can give to any author and his/her stories.

Rick Riordan starts another great story! I am a great fan of Percy Jackson, and was excited to see a new series. The author introduces new characters but has not changed his style of getting you to know and care about them, until they become real people to the reader. Too many dismiss books nowadays as copies or derivatives of older well known works. In that light , everything can be considered a copy of something else. I always approach a book or series to see if it can grab my attention and invest me in the story or characters. Rick Riordan has not disappointed me yet.

I really like Rick Riordan's books, starting with Percy Jackson series. I like that he uses mythology and humour in his books. I have always loved mythology and this is a great series to get my sons reading. In fact, it was my oldest son and my sister who got me into Riordan's books.This is the second book of the Kane's Series/Egyptian Mythology. This is written in first person from each sibling's point of view (POV). Each chapter is a different POV. Some writers have a hard time writing different voices for their characters and when they try this the characters sound the same. However, Riordan does a good job of keeping Sadie and Carter's voice distinct.I bought this one to replace the one that disappeared. It has been awhile since I read the Kane Series.

If I can say nothing else about Rick Riordan (RR) I will say he is without a doubt an entertaining storyteller no matter what age you are. While his Percy Jackson series are still my favorites I enjoyed this book more than The Red Pyramid.The best thing about this book is that there are more kids. It just makes for a little more humor when you have kids interacting with other kids instead of adults. Now that Sadie and Carter are helping to train some new kids at Brooklyn house there is rooms for some new and interesting characters.-- “Felix believed that the answer to every problem involved penguins; but it wasn't fair to birds, and I was getting tired of teleporting them back home. Somewhere in Antarctica, a whole flock of Magellanic penguins were undergoing psychotherapy.”Carter and Sadie need to find a way to awaken Ra if they are going to beat Apophis (god of Chaos) but he has been missing for quite awhile and they will need to find some ancient artifacts to help them.RR adds his own spin on Egyptian mythology and ‘The Gods’ that is entertaining, informative and interesting. I always feel like I’m learning about the culture as well as being entertained by the story. There were all kinds of new gods and obstacles to deal with along the way and Sadie and Carter have to prove even to the gods that want Ra to return they are strong enough to complete the task.I love the sibling relationship between Cater and Sadie. They antagonize and provoke each other but they are also the firt to stand up and fight for their sibling if they are ever in danger. Sadie’s PoV chapters were my favorites but that is probably because she is so snarky and gets to have most of the funny lines.- “Our camels plodded along. Katrina tried to kiss, or possibly spit on Hindenburg, and Hindenburg farted in response. I found this a depressing commentary on boy-girl relationships.”Carter still feels responsible for Zia and has been trying to find her ever since he found out she was hidden away for her safety. But he might just be a little obsessed, so much so that he is seeing clues everywhere.- “Carter, not to be unkind," I said, "but the last few months you've been seeing messages about Zia everywhere. Two weeks ago, you thought she was sending you a distress call in your mashed potatoes." "It was a Z! Carved right in the potatoes!”There is always something happening with all the mini quests before the big one and I will say that Ra really wasn’t what I was expecting, which kinda made it all the better. Who said waking up a god would be easy never went looking for one with and evil Ice Cream vendor hot on their trail.Add in the hint of a blossoming romance between Sadie and Walt or Sadie and Anubus and this story has a little bit of everything. It is the cutest crush triangle I’ve read and I’m not sure which way I want it to go. All in all a fun and entertaining ride. Sure this is a MG book but it is just as fun for kids of all ages.If you haven’t read the Percy Jackson series I’d say read that first (so much better than the movies). But if you have might as well expand your RR mythology and add a little Egyptian to it.

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